Alvin Youngblood Hart
“By that time, it had become obsessive competition among us teenage boys. The guitar was the video game of our day,” Hart says.
The Hart family was never one to stay put. Spending his formative years on the West Coast, in the Midwest and the Mid-South surely influenced Alvin’s wide ranging musical perspective.
“It really taught me to appreciate MUSIC for what it was… not because it was this or that genre. I have a great disdain for genre segregation. I try to avoid that practice”.
Along with his 50 years of playing comes a nuts and bolts passion for the hardware of the trade.
“I’ve been a guitar tinker since day one. I can recall my parents buying me a new guitar, and I would have every screw out of it by bedtime”.
Hart is also an electronics technician, a talent he picked up after 7 years active duty in the U.S. Coast Guard. His knack for quick thinking repairs on the road has earned him nicknames such as, The Garage Guerrilla or The Rock N Roll MacGyver from fellow musicians.
After two decades on road, Alvin continues to delight audiences worldwide, whether as a solo performer or with the eternally rockin’ Alvin Youngblood Hart’s Muscle Theory… The multi award winner always delivers.
“When I was 15 year old kid in my room, I would never believe that would someday play legendary venues like the Hollywood Bowl or Royal Albert Hall. You couldn’t have told me that I’d be in the studio with Taj Mahal, or play onstage with the Allman Bros. Band and members of Thin Lizzy. Some days, it’s a dream job…”
Vance Gilbert
“If Joni Mitchell and Richie Havens had a love child, with Rodney Dangerfield as the midwife, the results might be something close to the great Vance Gilbert", says Richmond Magazine.
Vance's most recent album, "The Mother Of Trouble”, features Grammy winner Lori McKenna on background vocals, Juno award recipient and Bonnie Raitt Grammy hit song co-writer Joey Landreth on guitars, and Americana-Roots master mandolinist Joe K. Walsh. With 4 bullies, 4 deaths (3 of them murders), 3 moms, 2 accidents, 2 Black people, 2 dogs, 1 dog ball, 1 gay kid, and 1 missed flight thanks to gas station sushi, this album benefits from the gifts of time and experience honing songwriting skills that put this most vital of acoustic storytellers at the top of the game.
Oh, and Management wants to make sure to tell you that this is the 14th release for this acoustic stalwart.
30+ years into his career, the songwriter’s influence can be felt all over the contemporary Folk and Americana realm as he has helped pave the way for many of the BIPOC artists who have followed.
Gilbert has been a songwriting, performance, and voice coach all around the world, kinda, from Australia to Winnipeg, at all the festivals above plus The Kerrville and Rocky Mountain Song Schools, and has a decade worth of summer programs at the Berklee College Of Music under his belt. What? Private coaching? Yes, 6-10 students weekly too.
Considered by many to be an integral part of the national folk scene, his record "Good Good Man" features an eclectic roster of musical types including rocker Mike Posner, world renown Celtic harpist Aine Minough, bluesman Chris Smither, and Al Green’s organist Stacey Wade.
Gilbert runs 3 to 4 miles ever so slowly 5 days a week to stay sharp for the road and does historical aviation research and model building just for great nerdy fun.
He even has a tune on a Grammy Nominated children’s album. How rounded is that?
Bill Kirchen
Upon tallying how many decades he’s worked as a professional guitar slinger, Telecaster master Bill Kirchen quips, “Well, they don't make 50 years like they used to.” They don’t often make careers like his, either.
From performing with his Who Knows Pickers jug band in Ann Arbor High School’s senior talent show (also on the program: the future Iggy Pop), to birthing the Americana genre with the original “hippie country band,” Commander Cody and his Lost Planet Airmen, this affable Austinite has been everywhere, man, flying alongside some of the planet’s coolest cats — including the Jesus of Cool, Nick Lowe, and Lowe’s old protégé, Elvis Costello.
Kirchen has toured the world with Lowe, who produced an album by Kirchen’s post-Airmen band, the Moonlighters, and Costello recruited Kirchen for high-profile gigs like the Hardly Strictly Bluegrass Festival — and even named his festival band after Kirchen’s Hammer of the Honky-Tonk Gods album. Lowe appears on that 2006 album, and its 2010 follow-up, Word to the Wise, along with Costello, Maria Muldaur, Dan Hicks and other luminaries.
Mary Flower
Mary Flower’s immense finger picking guitar and lap-slide prowess is soulful and meter-perfect, a deft blend of the inventive, the dexterous and the mesmerizing. Her supple honey-and-whiskey voice provides the perfect melodic accompaniment to each song’s story.
An internationally known and award-winning picker, singer/songwriter and teacher, the Midwest native relocated from Denver to the vibrant Portland, Oregon music scene in in 2004. She continues to please crowds and critics at folk festivals, teaching seminars and concert stages domestically and abroad, that include Merlefest, Kerrville, King Biscuit, Prairie Home Companion and the Vancouver Folk Festival, among many.
A finalist in 2000 and 2002 at the National Finger Picking Guitar Championship, a nominee in 2008, 2012 and 2016 for a Blues Foundation Blues Music Award, and many times a Cascade Blues Assn. Muddy Award winner, Flower embodies a luscious and lusty mix of rootsy, acoustic-blues guitar and vocal styles that span a number of idioms – from Piedmont to the Mississippi Delta, with stops in ragtime, swing, folk and hot jazz.
Flower’s 11 recordings, including her four for Memphis’ famed Yellow Dog Records — Bywater Dance, Instrumental Breakdown, Bridges and Misery Loves Company — show a deep command of and love for folk and blues string music. For Flower, it’s never about re-creation. Her dedication to the art form is a vital contribution to America’s music.
Some photos from past Blues in the Gorge
